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Sir Edward
Burne-Jones
1833 - 1898

Windows:

The Annunciation

Moses, Melchizedek and Aaron

Virgin and Child

Mary the Virgin

Saints Peter Paul and Stephen

Saints Dorothea and Theophilus

Designs:

The East Wall

 

 

Sir Edward Coley Burne-Jones 1833 - 1898

English painter and designer Edward Coley Burne-Jones was major figure in the  Pre-Raphaelite Brotherhood and, with William Morris, he was also instrumental in the Arts and Crafts Movement, which greatly influenced the decorative arts.

Burne-Jones was born on 28th August 1833 in Birmingham, the son of a carver and gilder. After attending King Edward's School there, he enrolled at Exeter College, Oxford, as a divinity student in 1852.

While at Oxford he met William Morris, also a religion student, and the two became lifelong friends and colleagues. They both were greatly influenced by stories of medieval England, especially Thomas Malory's Le Morte d'Arthur, and medieval themes would figure greatly in Burne-Jones's later work. He created romantic pictures of a dream world as an escape from 19th-century industrialism.

In 1855 Burne-Jones and Morris met painter Dante Gabriel Rossetti, one of the founders of the Pre-Raphaelite Brotherhood. The Brotherhood was a group of young painters who came together in reaction against what they considered to be the unimaginative and artificial historical painting of the Royal Academy, and who were inspired by Italian art of the 14th and 15th centuries.

Rossetti advised Burne-Jones to leave Oxford and become a painter, which he did becoming  Rossetti's student. Morris too abandoned his academic career, and he and Burne-Jones worked together in 1857, collaborating on Rossetti's murals for the Oxford Union.

In 1861 Burne-Jones and Morris founded Morris & Co., a firm that produced individually designed, handmade objects, which established them as pioneers in the Arts and Crafts Movement. Burne-Jones created numerous designs, especially for stained glass, tapestry, and book illustration, and it was in this capacity that he was at his artistic best.
He produced several illustrations for books printed by Morris' prestigious Kelmscott Press, including eighty-seven designs for the Kelmscott edition of the works of Geoffrey Chaucer (1896), considered to be among the world's finest printed books.

His designs had a fresh simplicity that was sometimes lacking in his painting, which was often criticized as being overly sentimental. For his paintings, he often chose fanciful or literary subjects and experimented with deep, rich colours and indirect light.

In 1877 he helped found the Grosvenor Gallery in London, and for the next 11 years he regularly exhibited his works there, to great acclaim. His work became a major influence on the French symbolists. He was given a baronetcy for his artistic achievements in 1894. After Morris died in 1896, Burne-Jones did little else creatively until his own death, on June 17, 1898, in London.